Green on white.

The room is almost all white, which makes every other choice loud. A wall and counter in deep green marble, a round striped rug in two greens, plants pressed against the glass and a wire spiral sculpture that climbs toward the ceiling.

The plan is long and narrow, so the shoot works along it. A wide frame from the entrance shows the full length of the white sofa, then closer views take each corner: the garden window, the marble bar, a reading chair, a painting.

White rooms are where exposure fails first. Here the walls stay white without going grey or blank, and the green holds its depth, so the room reads as calm rather than empty.