Glass to the forest.

The walls here are glass from floor to ceiling, so the forest becomes the decoration. The shoot stays on an overcast day on purpose: no hard sun on the white floor, no glare in the panes, and the green outside reads soft and close.

The sequence follows the volume. A long frame of the living room from the stair, the dining table under the window line, a timber wall with a teal console below the television, then a view straight down from the gallery onto the chairs and the floor.

Upstairs, a bedroom with a timber headboard and the trees in the door, and two screened terraces built out into the canopy, one with a table and four chairs, one left empty. Both are framed from inside, so the screen disappears and the trees fill the picture.