Piña Colada, in shadow.

Piña colada is two ingredients and a climate. The set uses exactly those: coconut, cracked open to the white; pineapple, whole or cut into wedges; and the sun, drawn as shadows of palm fronds across plaster. Nothing else is invited in, not a glass, not a straw, not a cocktail umbrella.

Within that brief the frames range wide. A bottle floats with fruit suspended around it. Another stands on an ochre podium inside a ring. One lies on rippled sand, shot from above. One moves to a back bar, among other bottles, as it would sit on a real shelf.

All ten are square, made for a feed and a product page at once. The palette never leaves yellow, cream and green, so the set reads as one campaign whichever frame a customer meets first, on a shelf tag or a phone.