Over the Guaíba.

A city hotel near the water should be photographed from the water side. The set opens with the Guaíba itself, wide and flat beyond the towers, and then climbs to the roof, where a curved pool sits behind a glass rail with the river on the horizon.

The rooms are shot to the window. A reading corner where two panes meet, a book and a juice on a round table, a desk facing the rooftops, a bed with the river in the next frame. The light is morning and clear, so the view outside holds next to the white sheets.

Details close the set: a bucket on ice and a single rose by the bed, a pair of sandals left on the pool ledge. Two portrait frames are cut for booking apps, where a city hotel is now chosen on a phone, often for the view alone.