Medina light.

Most travel stories change outfits in every frame. This one keeps a single dress, black with large embroidered flowers, and changes everything around it.

A pink riad with a fountain of floating yellow flowers. A pale pool between arches. A wall of zellige tiles. A souk of copper pots, steam rising behind. A café where mint tea is poured from shoulder height, the way it should be. A long alley of terracotta arches at the end of the day.

Because the dress stays the same, the eye goes to what the city does to it: black against pink, embroidery in low sun, a hem moving on worn stone. It is a lesson any catalogue could use. Show a piece in six places, and the customer can picture it in theirs.